House of Music Braunschweig

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Entrance situation HoM
Foyer HoM
Concert hall HoM
CulturalExhibition / StageEducation
Project type
Concert hall and music school
Status
Competition, special recognition
Location
Braunschweig
Time
2025
Client
Friedrich Georg Knapp, City of Braunschweig
Technical building equipment, structural engineering, sustainability
Arup Deutschland GmbH
Accoustic
Tateo Nakajima, Arup United Kingdom
Renderings
Grauwald Studio

In the heart of Braunschweig’s medieval old town, the city plans to unite its municipal music school—currently spread across multiple locations—with a new concert hall at a single site. The goal is to create a musical center that serves as a cultural, educational, and social meeting place for everyone, a true “third place.”

The site of the former Karstadt department store is located in Braunschweig’s historic city center, characterized by a small-scale and heterogeneous urban fabric. Despite the large volume required, our design for the new House of Music aims to reintroduce a grouping of distinct building forms that better integrate into the partially restored medieval cityscape.

Siteplan

The volumes of the main concert hall, its ancillary functions, and the music school are clearly separated and given individual addresses. The concert hall is oriented toward Poststraße but also maintains a strong presence at the corner of Altstadtmarkt, where its main entrance is located, ensuring high public visibility from both directions.

The hall is framed by two flanking “houses”: ancillary spaces and a restaurant to the east, and the music school’s side elevation to the west. These elements are visually separated from the concert hall by continuous joints, referencing the two historical passage courtyards once located on this site.

Foyer HoM
concert hall HoM
Isometry Ground level
Isometry Ground level
HoM

The buildings are constructed from local Elm limestone, a material of historic significance to Braunschweig. Many of the city’s most important buildings—including major churches and the neighboring Gewandhaus—are built from this warm stone, quarried nearby in the Elm hills.

The façades of the new buildings feature a framing motif that visually connects the musical activity within to the public realm outside, presenting the House of Music as an open, vibrant, and creative space.

concert hall

The freestanding design of the concert hall and its visual accessibility from the street express the building’s identity as a public, open house for the city of Braunschweig. Inside, the protective limestone shell transitions into wood, enveloping visitors like the resonating body of a warmly sounding wooden instrument.

The areas surrounding the hall act as a public prelude to the musical experience within this new cultural treasure chest. Designed as a third place, these spaces are highly flexible and can be used for exhibitions, events, and other community activities.

Project Partners
Lars Krückeberg, Wolfram Putz, Thomas Willemeit, Georg Schmidthals, Sven Fuchs
Team
Anne Kleinlein, Karsten Littau, Onur Kemal Kösedağ, Selen Sönmez
Project Lead
Alexander Moritz